As a designer and illustrator I am always looking for ways to share my passion for art with the world and others who enjoy the same things as I do! Besides Etsy, I have now joined Redbubble.com, which is a company allowing artists to simply upload their work (easily!) and fulfill products that people purchase. While my little shop is looking kind of low on designs right now, I have plans to upload much of my art and illustration to the site! Custom orders and commissions will still have to be placed through me by emailing email@example.com, or on Etsy.
Here it is!
I hope you enjoy my art as much as I enjoy making it!
It’s no doubt at all that Summer and Fall are my favorite seasons! I love to get outside, go to the beach, attend farmers markets, and am inspired by the activities of the season. Theres nothing better than snacking on a ripe watermelon, or cracking open a coconut or pineapple. The latest series of illustrations and hand lettering combines the best of all of these into adorable art pieces ripe for hanging. They will be available soon in my Etsy shop!
Today I revisited a technique I haven’t seen since my early days of college, crosshatching and pointillism. Drawing for after dot or line after line, carefully and methodically isn’t exactly what I would call fun (I was told that “patience” is the key…..okay, right) but I have been revisiting techniques that I’m not so fond of to strengthen my art (and my hand, because I’ve been getting some cramps worse than typing this blog on my phone)! Okay so here we go what do I draw? What’s laying around? I have a lense cap, probably not a good subject. I have my dog, well she’s cute but I’m NOT drawing all that hair! Ok let’s be a typical artsey subject, fruit. Typical, but effective! I have a pear, an apple and a lemon, sounds like a good start! Let’s start with the outline and basic blocking in of tones with pencil of the pear, not so hard. I get my inker now (Micron 1) and start making lines, but should I contour them to the shape or just do straight lines? Well I decided to make these long lines that followed the shape and it was a hot mess. Next. Shorter lines all over the pear shape came next and this seemed to look better. I looked up cross hatching technique on Google (really what did we do without Google!?) and saw that this was probably a better approach. Excellent, let’s start crossing! Well there’s definitely something both maddening and meditative about doing this, first you overthink everything (is this line too big? Is this line too close? If I mess up it’s all over and you can’t go back)! Yet at the same time line after line and watching the tone and shape of the form break free is calming, once you stop panicking and overthinking everything. It’s kind of like yoga for your hand, it’s tough, you get cramps, but if you can see beyond that and just let the lines flow, you start to see it more clearly. I think I might be a little addicted to this, so it should be interesting to see where it goes!